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Bio 

"Jidam is a true artist. She shares her stories and heart with people in an extraordinary and personal approach, with a beautifully profound sense of grace. Jidam's sensitive artistry, whether it be singing or composing,
is heartfelt and powerfully moving!' 

- Harry Skoler (Jazz clarinetist, Professor of Woodwinds at Berklee College of Music)

Jidam’s journey began in Seoul, Korea, where her musical talent emerged at an early age. She later moved to Boston to study at Berklee College of Music, pursuing her passion for film scoring.

In 2013, after completing her studies at Berklee, Jidam moved to New York, where she began working as a media composer and music director. There, she released her debut album in collaboration with internationally acclaimed musicians, including flutist Sarpay Özçağatay, drummer Jongguk Kim, bassist Changmin Jun, and pianist Mina Yu. Her live performances also featured legendary jazz clarinetist Harry Skoler as a special guest—one of Jidam’s most admired and enduring musical influences.

The album received critical acclaim from musicians and critics alike. Harry Skoler stated: “Jidam is a true artist. She shares her stories and heart with people in an extraordinary and personal approach, with a beautifully profound sense of grace. Jidam’s sensitivity and artistry, whether in singing or composing, are heartfelt and powerfully moving.”

Building on this artistic momentum, Jidam continued to expand her musical language by blending Korean traditional music with orchestral composition. Her original orchestral work won First Prize at the 2018 All Star Artist Festival and was premiered by the Seoul Pops Orchestra.

Alongside her work as a composer and performer, Jidam is currently pursuing a Ph.D. at Hanyang University, where her research focuses on generative AI, music sociology, and science and technology studies (STS). Her recent publications examine how AI systems influence musical creativity, cultural representation, and contemporary music practices. Through both artistic practice and scholarly research, she explores the evolving relationship between music, technology, and the future of musical expression.

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